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Body Adornment

Art, Art, Architecture, Body Adornment, Music and Food, Body Adornment, Chamorro Culture, Creative Expression, Division of Resources, Natural Environment, Natural Resources, Our Heritage, Resources, Sea (Tasi), Traditional Craft

Hima: Conserving a Cultural Heritage

Basic biology. The giant clam is a member of the Phylum Mollusca and the Class Bivalvia. These clams have two shells (called “valves”) that are hinged on what is called an umbo. Their flesh or mantle is the mechanism that secretes the clam’s shell.

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Cultural Design Workshop
Ancient Guam Era, Archeological Investigations, Art, Art, Architecture, Body Adornment, Music and Food, Body Adornment, Chamorro Culture, Creative Expression, e-Publications, Guam CAHA Workshops, Historic Eras of Guam, Our Heritage, Traditional Craft

Cultural Design with History in Mind

Art and History organizations offered workshop to prepare. In 2016, Guam hosted the Festival of the Pacific Arts, a regional festival showcasing the diversity of arts and performances from over two dozen island nations and territories throughout the Pacific.

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Art, Art, Architecture, Body Adornment, Music and Food, Artists, Body Adornment, Contemporary Art, Contemporary Guam Era, Contemporary Music, Creative Expression, Historic Eras of Guam, Music, Musicians, People, People and Places

Maria Yatar McDonald

Maria Yatar McDonald (1955 – ) is a multi-talented musician, traditional tattoo and visual artist influenced by a wide range of artists beginning with her parents. McDonald was born in 1955 in the village of Pali, Sumai before spending nearly two decades living in the village of Sånta Rita-Sumai, and then in Hågat.  She graduated from George Washington High School in 1973 and received a bachelor’s degree in education from the University of Guam in 1997.

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Art, Art, Architecture, Body Adornment, Music and Food, Artists, Body Adornment, Contemporary Guam Era, Creative Expression, Historic Eras of Guam, People, People and Places, Traditional Craft

Julie “Jill” Quichocho Benavente

Julie “Jill” Quichocho Benavente (1958 – ) is a traditional and contemporary Chamorro body ornamentation artist. Benavente carves fine jewelry from local materials such as hima (Tridacna or giant clam), Spondylus (thorny oysters), stone, cow bone, wild boar tusks, and more. Benavente has been creating and carving since the 1990s.

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Ancient Guam Era, Archeological Investigations, Art, Architecture, Body Adornment, Music and Food, Body Adornment, Chamorro Culture, Creative Expression, Early Historic Accounts, Historic Eras of Guam, Our Heritage

Ancient CHamoru Body Modification

Tooth staining. Unlike clothing or hairstyles, body modifications are changes made to the body itself that are of a more permanent nature.  Among the CHamoru people, the most remarkable examples of these kinds of modifications were tooth etching and staining.

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Ancient Guam Era, Archeological Investigations, Art, Art, Architecture, Body Adornment, Music and Food, Body Adornment, Creative Expression, Early Historic Accounts, Historic Eras of Guam, Traditional Craft

Ancient CHamoru Jewelry: Manmade Accessories and Body Coverings

Body ornamentation. All human cultures practice some form of body ornamentation. Body ornamentation refers to the ways in which people decorate or dress their bodies for any number of reasons or occasions.

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Ancient Guam Era, Archeological Investigations, Art, Architecture, Body Adornment, Music and Food, Body Adornment, Early Historic Accounts, Historic Eras of Guam

Ancient CHamoru Concepts of Beauty

Beauty as a cultural concept. Different cultures have different ways of defining and understanding “beauty.” In general, beauty is a characteristic of a person or object that people find appealing. Beauty evokes an experience of pleasure or satisfaction.

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Ancient Guam Era, Art, Architecture, Body Adornment, Music and Food, Body Adornment, Early Historic Accounts, Historic Eras of Guam, Interpretive Essays

On The Question of Tattoo by Ancestral CHamorus

Interpretive essay: No evidence of CHamoru tattoo from ancient times. Tattoo is often thought to have been a universal cultural practice in the Pacific islands. However, that probably isn’t true. Archaeologists have found no evidence that the CHamoru people of the Mariana Islands used tattoo.

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