Interpretive essay: Striving for harmony is the foundation to CHamoru culture. The phrase inafa’ maolek (pronounced e-na-fah mao-lek) describes the CHamoru concept of restoring harmony or order. The literal translation is ‘to make’ (inafa’) ‘good’ (maolek).
Inafa’maolek: Striving for Harmony Read Post »
Though it is still relatively small, filmmaking is growing on Guam as both an art form and an industry. On an island that values story-telling, community, and preserving history and traditions, film is a natural fit as an arts medium and technology is only expected to help it continue to flourish.
Nina (patlina) and Ninu (patlino) , meaning godmother and godfather in the Mariana Islands, respectively, are borrowed terms from the Spanish padrina and padrino. These terms are derived from Spanish Catholicism and describe the relationship between the godparents and their godchild.
Kumpaire or pari’ is a religious and social term used to describe the relationship between parents and their child’s godfather. The word kumparie was borrowed from the Spanish term compadre adapted and appropriated into CHamoru cultural tradition.
Tattooing is an art with more visible modern roots than other practices on Guam. Although tattooing is well-documented in other Micronesian cultures including Yap, Palau and the Marshall Islands there is little to no evidence that Chamorros of the Marianas adorned themselves with this type of permanent body art.
Contemporary Tattoo Read Post »
Kumaire, is religious and social term to describe the relationship between parents and their child’s godmother, borrowed from the Spanish comadre and appropriated into CHamoru cultural tradition. Måle’ is the shortened form of kumaire and is commonly used when a mother and her child’s godmother refer to one another, and is also used by the child’s father when addressing his child’s godmother.
Ma uritao, an ancient CHamoru term used before Christianity was introduced to the CHamoru people, describes young unmarried women who resided at the Guma’ uritao (bachelor’s house) to sexually train young men as a part of their education to become men.
Marianas archaeological studies indicate that, as a craft, an indigenous form of ceramics dates back to more than 3,000 years. Ancient Chamorros produced a variety of ceramic containers for practical domestic purposes such as serving and storing food and water, and for cooking.
When Chamorro/CHamoru males reached puberty during ancient times, they were sent to live at the Guma’ Uritao, a house for bachelors. The bachelors would live at the Guma’ Uritao of their mother’s family. There were one or two Guma’ Uritao in every village.
I mangguma’ uritao, men’s houses, were houses for young CHamoru men in the Mariana Islands from ancient times until the late 1600s (‘I’ means ‘the’; ‘man’ makes the term plural). CHamoru youth were expected to model and actively learn the skills of being men and women from their elders.
